In ritualistic ceremonies practiced by myriad
cultures throughout the world, the imbibing of a potable plays an
important role. Consider the wine used to symbolize the blood of Christ
in the
Catholic
communion rite. Or, imagine the clan gatherings on the Micronesian island of
Ponape, where the mildly narcotic drink sakau is sipped communally from a coconut shell. In
Japan, as well, a drink plays an important--and in this case, central--role in a spiritual gathering known as the
tea ceremony.
Chado, the Japanese name for tea ceremony, is rooted in
Taoism, a Chinese system of thought dating back to the third century B.C., and its predecessor
Zen Buddhism, a philosophical system whose main tenet is the practice of
meditation. Zen Buddhist
monks, whose school of thought endeavors to recognize greatness in life's quotidian events, brought the tea ceremony from
China to Japan in the 15th century. The ritual of tea ceremony stems from the Zen monks' practice of drinking
tea before a depiction of Bodhi Dharma, the founder of their religion; although intended as a show of
worship, the tea may have also been used to help the monks stay
awake and alert throughout their meditation. There are variations in the
practice of the ceremony, a practice that continues into the present
day, but since its beginnings the renowned masters of the ritual have
aimed to adapt the spirit of Zen into everyday living. All practices are
centered on the serving of tea to guests, and some include the
consumption of a light meal, of cakes or other sweets, or of
sake.
Although tea ceremony can be practiced anywhere, it
is typically performed in homes, teahouses, and community centers. All
aspects of the ceremony--from the size and layout of the rooms designed
for the practice, to the ritual itself--are founded on the doctrine of
Zen. Guests invited to partake in tea ceremony wait in a shelter until
they are summoned to enter the main room, or cha-shitsu. The guests decide among themselves the order in which they will make their way down the roji,
or garden path, into the room. The path itself is meant to sever ties
with the outside world, offering a new experience that will prepare the
participants for the meditation that is to take place in the sanctuary
of the tearoom.
Upon approaching the room, guests must crouch down in order to pass through a door that is less than 3 feet (0.9 meters) high, a design meant to encourage the guests to reflect on humility. Once inside the room, guests will observe an alcove, called tokonoma, in which decorative objects, such as scrolls or flowers, have been placed for their admiration. The guests then sit and wait for the tea master to join them. The room is kept immaculately clean, as a tea master is schooled in cleanliness. (Connected to the main room is an anteroom, where the tea utensils are kept and washed.) Each object within the tearoom is imbued with significance, as is its placement. Care is taken to avoid repetition of colors or designs and to remove any monotony from the room. In its simplicity, then, the tearoom becomes a respite from the troubles that plague life in the world outside. In a place unconnected to the vulgarity of the everyday world, one can devote oneself entirely--for the duration of the age-old ritual--to the appreciation of beauty.
Upon approaching the room, guests must crouch down in order to pass through a door that is less than 3 feet (0.9 meters) high, a design meant to encourage the guests to reflect on humility. Once inside the room, guests will observe an alcove, called tokonoma, in which decorative objects, such as scrolls or flowers, have been placed for their admiration. The guests then sit and wait for the tea master to join them. The room is kept immaculately clean, as a tea master is schooled in cleanliness. (Connected to the main room is an anteroom, where the tea utensils are kept and washed.) Each object within the tearoom is imbued with significance, as is its placement. Care is taken to avoid repetition of colors or designs and to remove any monotony from the room. In its simplicity, then, the tearoom becomes a respite from the troubles that plague life in the world outside. In a place unconnected to the vulgarity of the everyday world, one can devote oneself entirely--for the duration of the age-old ritual--to the appreciation of beauty.
The event brings together four main tenets:
peacefulness, purity, harmony, and respect for others. Within the
sanctuary of the room, the participants are asked to concentrate on the
natural beauty inherent in the surroundings: the sound of the teakettle,
the light streaming into the room, the coals glowing in the fire, the
scent of
incense. The guests focus their attention on exquisitely crafted objects, such as the ceramic teapot or the
calligraphy on a scroll--as a reflection of the universe's creative
force, made manifest by human craftsmanship. Such focus keeps the
participants mindful--that is, it allows them to concentrate their minds
solely on the present moment. Within the tearoom, discussion is
limited. The participants do not chat, but instead focus their
conversation on appreciating the beauty before them. The ritual
encourages the participants to live in the present moment--the objective
of Zen Buddhism--by centering the senses on the event at hand, with no
distractions from the commonplace. The tea master who conducts the
ceremony has the task of creating a perfect instant in time.
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